„Humaniora. Czasopismo Internetowe” ukazuje się od 2013 r. Jest kwartalnikiem, w którym publikowane są teksty z zakresu nauk humanistycznych i społecznych. Ma charakter interdyscyplinarny. POLITYKA FUNKCJONOWANIA CZASOPISMA AKTUALNY NUMER ARCHIWUM INDEKSOWANE W: ERIH PLUS, Index Copernicus Master List, CEJSH – The Central European Journal of Social Sciences and Humanities, BazHum, ROAD, THE KEEPERS, CROSSREF, SUDOC, SHERPA ROMEO, OPENALEX, EZB, EBSCO Central & Eastern European Academic Source WSKAŹNIKI OCENY CZASOPISMA: Punktacja Ministerstwa Edukacji i Nauki (2024): 40 DOI: 10.14746/h e-ISSN: 2353-3145 PRACE PUBLIKOWANE W CZASOPIŚMIE DOSTĘPNE SĄ NA LICENCJI CREATIVE COMMONS: Uznanie autorstwa - Bez utworów zależnych 4.0 Międzynarodowe
Czasopismo oraz wszystkie zamieszczone w nim materiały są powszechnie dostępne i mogą być wykorzystywane do celów naukowych, edukacyjnych, poznawczych i niekomercyjnych bez konieczności uzyskiwania każdorazowej zgody autorów i redakcji. Nadesłanie artykułu do publikacji traktowane jest jako zgoda autora na udostępnienie swojej pracy i informacji w niej zawartych do powyżej wymienionych celów. W takich przypadkach należy jedynie wskazać źródło, z którego zaczerpnięte zostały informacje. Pobieranie opłat za dostęp do materiałów zawartych w czasopiśmie lub ograniczanie do niego dostępu jest zabronione. Przesyłane do redakcji teksty muszą stanowić oryginalne prace, uprzednio nigdzie niepublikowane ani nie przedkładane innym redakcjom lub wydawcom. Autorzy nadsyłanych artykułów ponoszą odpowiedzialność za uzyskanie zezwoleń na publikowanie materiałów, do których prawa autorskie są w posiadaniu osób trzecich. Publikacja materiałów chronionych prawem autorskim jest możliwa pod warunkiem uprzedniego dostarczenia przez autora do redakcji pisemnej zgody właściciela praw autorskich.
Język, edukacja i media jako narzędzia ochrony dziedzictwa chrześcijan tradycji syriackiej w Iraku
The article examines the situation of Syriac tradition Christians in Iraq, a community that has shaped the cultural landscape of Mesopotamia for two thousand years and now faces the consequences of violence, forced displacement and demographic loss. It asks how a community marked by trauma can preserve continuity and rootedness. The text shows that the Syriac language, schooling, media and heritage initiatives play a central role, becoming both instruments of education and means of caring for memory and human dignity. The analysis demonstrates that, despite political and legal obstacles, the reconstruction of communal life results largely from human determination, including the efforts of families, teachers, clergy, local institutions and the diaspora. The article argues that the future of Syriac Christians depends not only on legal frameworks or state action but also on their ability to sustain the traditions that give meaning to their presence.
Prawa autorskie (c) 2026 Agnieszka Graczyk https://creativecommons.org/licenses/by-nd/4.0
Wahhabizm wobec wyzwań nowoczesności – wybrane przykłady
The article analyzes the tension between Wahhabism as the ideological foundation of Saudi Arabia and the modernization processes initiated by Mohammed bin Salman. It outlines the origins of the Saudi state and the role of the religious-political Alliance in shaping its identity. Particular attention is given to social and economic reforms implemented under the Vision 2030 program. The study highlights contradictions between conservative religious doctrine and the pursuit of global modernization. It concludes by emphasizing the importance of maintaining a balance between tradition and modernity for the future of the state.
Prawa autorskie (c) 2026 Jan Januszkiewicz https://creativecommons.org/licenses/by-nd/4.0
Polowanie na czarownice z syndromem oblężonej twierdzy. Krytyczna analiza dyskursu medialnego i akademickiego o charakterze postfeministyczno-transfobicznym w Polsce
In recent years, postfeminist-transphobic narratives began gradually developing in Poland. Some of the women commonly known in many countries as TERFs (trans-exclusionary radical feminist) have privileged access to public discourse. This article presents results of a critical discourse analysis of academic papers and journalistic texts containing transphobic narratives, authored by self-declared feminists from Poland, published between 2020 and 2025. Research results provide an overview of ideological discourse structures. The most important ones include allusions, the term cancel culture, repetitions, generalizing structures, misgendering, apparent denial structures and linguistic devices specific to academic and journalistic style. These devices allow authors to create a negative image of trans people as the outgroup and cultivate positive self-representation. The article provides insight into methods of popularization of the postfeminist-transphobic discourse in Poland and outlines possible counter-discourse strategies.
Prawa autorskie (c) 2026 Alicja Uwarowa https://creativecommons.org/licenses/by-nd/4.0
Wkład Elwiry Kamińskiej w genezę Zespołu Pieśni i Tańca „Śląsk” im. Stanisława Hadyny. Próba antropologicznej rekonstrukcji biografii
This article is devoted to the choreographer and educator Elwira Kaminska, one of the key figures in the history of The Stanisław Hadyna Song and Dance Ensemble ‘Śląsk.’ It presents a comprehensive biographical overview of the choreographer, providing an insight into the most significant stages of her life and highlighting the defining characteristics of her work, both artistic and educational. The article attempts to analyse Kamińska’s contribution to the establishment and activities of the ‘Śląsk’ Ensemble, as well as to the formation of the ensemble’s artistic image. Showing that, in co-creating cultural performances, Kamińska combined professional stage choreography with traditional elements of folk culture, thereby reinterpreting folk culture, which in turn ensured its enduring relevance within a broader cultural context.
Prawa autorskie (c) 2026 Yuliya Zlochevska https://creativecommons.org/licenses/by-nd/4.0
Fonetyczne efekty pracy nad rolą w spektaklu teatralnym
Theatre is an important component of the city’s ecosystem. The work on the sound shape of a theatre performance stems from aesthetic, linguistic, and acoustic assumptions. The phonetic effects of an actor’s work on a role are a consequence of voice emission, diction, knowledge of the orthophonic rules of the language and the ability to use them in practice. They may also depend on the ideological assumptions of the theater or a particular performance. The article discusses selected segmental and prosodic phenomena of the wave space-time of a theatral performance.
Prawa autorskie (c) 2026 Paweł Nowakowski https://creativecommons.org/licenses/by-nd/4.0
Towiański i towianizm w kontekście kryzysu modernistycznego na ziemiach polskich na przełomie XIX i XX wieku
At the turn of thetwentieth century, Polish Modernism reinterpreted the Romantic heritage, viewing it not merely as a literary movement but as a foundation for spiritual renewal. The figure of Andrzej Towiański became a significant point of contention in debates overthe shape of Polish Catholicism. In seeking a way out of the crisis of institutional religiosity, Modernists revisited the question of whether Towiański was a dangerous heretic or a prophet heralding a new era of the spirit. Towianism, with its emphasis oninner perfection (the ‘Cause of God’), resonated strongly with the Modernist longing for a living, personal religion. However, his purportedly ‘pernicious’ influence on the national bards–Mickiewicz and Słowacki–was subjected to critical scrutiny, particularly through analyses ofhow mystical engagement affected their later works. During the Modernist crisis, Towianism functioned both as a warning against sectarianism and as an inspiration for synthesising faith with modernity, thus becominga key element of intellectual debate in the Polish lands of the period.
Prawa autorskie (c) 2026 Krzysztof Bochenek https://creativecommons.org/licenses/by-nd/4.0
Heideggerowskie ślady w „myśli słabej” Gianniego Vattimo
In this article, I analyze the Heideggerian sources of Gianni Vattimo’s weak ontology, pointing out that without reference to Martin Heidegger’s philosophy, weak thought loses its essential ontological dimension. Contemporary interpretations often shift it towards the ethics of dialogue, pedagogy, or liberal theology, omitting the category of Verwindung as a “getting over” of metaphysics. The analysis focuses on the book Credere di credere, in which the figure of the “return of religion” is read as a hermeneutical event specific to the era of the end of metaphysics. Religion here does not mean the restitution of the foundation, but rather the interpretative renewal of the trace, inscribed in the proces of weakening metaphysical structures. In the article, I argue that the categories of kenosis, secularization, and pluralism only acquire their proper meaning in the perspective of Heidegger’s critique of presence and historicity of Being.
Prawa autorskie (c) 2026 Aneta Rumak https://creativecommons.org/licenses/by-nd/4.0
Prawa autorskie (c) 2026 Artur Jocz https://creativecommons.org/licenses/by-nd/4.0
Prawa autorskie (c) 2026 Mateusz Binek https://creativecommons.org/licenses/by-nd/4.0