Res Facta Nova

Current Issue

No. 26 (35) (2025)
Published 2026 August 5

"Res Facta Nova" is an academic journal devoted to contemporary music. From the beginning (it was founded in 1967), regardless of the vicissitudes of Polish culture and cultural policies, it has been an important landmark in the musicological, critical-musical and music-related writings in Poland. Among the journal’s founders were Michał Bristiger, Stefan Jarociński, Józef Patkowski and Mieczysław Tomaszewski.

INDEXED IN: DOAJ, ERIH Plus, Index-Copernicus (ICI Journals Master List), POL-index, CEEOL, Google Scholar, Bibliografia Geografii Polskiej, Arianta, WorldCat, MOST Wiedzy, CROSSREF, ROAD, THE KEEPERS, ZDB, OPENALEX, EZB

JOURNAL METRICS:
Ministry of Education and Science (2023): 40

ICV 2024: 92.28

DOI: 10.14746/rfn

ISSN: 1897-824X ISSN (Online): 2544-9303

ARTICLES ARE LICENSED UNDER A Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Licencja Creative Commons

Publisher:
Adam Mickiewicz University in Poznań

The Res Facta Nova comply with I40C standarts for open citations.

 DEVELOPMENT OF ACADEMIC JOURNALS
The journal “Res Facta Nova”

FUNDING
30,000 PLN

TOTAL VALUE
30,000 PLN

Project description: Implementation of a strategy for the development of publishing and editorial practices and their impact on maintaining the journal’s presence in the international academic community, in accordance with Agreement No. RCN/SP/0654/2021/1

Articles

Ryszard Lubieniecki
9-22
Taming Memory, Punishing Forgetfulness. On Physical Violence in Music Pedagogy in the Context of Medieval Mnemonic Tradition
PDF (Język Polski)
Tomasz Jeż
23-31
Forgotten and Recalled Musical Repertoire in Protestant Breslau
PDF (Język Polski)
Grzegorz Joachimiak
32-59
The Mechanisms of Remembering and Forgetting in the Musical Culture of Silesia: Caspar Neumann (1648–1715) and Reception of the Song: “Liebster Gott, wenn werd ich sterben”
PDF (Język Polski)
Agnieszka Jeż
60-72
„The Old Man Is Forgotten”. On the Process of Reconstructing Collective Memory in the Repertoire of Songs of the Land of Israel
PDF (Język Polski)
Anna Tenczyńska
73-78
„Overture of the Sound That Kills”. On One Aspect of Wakacje nad Adriatykiem [Vacations on the Adriatic] by Zofia Posmysz
PDF (Język Polski)
Krzysztof Moraczewski
79-89
From Modernism to the Music of Oblivion
PDF (Język Polski)
Lech Dzierżanowski
90-99
From erasure to oblivion (and what comes after?) – the case of Roman Palester
PDF (Język Polski)
Beata Bolesławska-Lewandowska
100-109
From Oblivion to Remembrance: the Case of Andrzej Panufnik
PDF (Język Polski)
Szymon Borys
110-123
The Existence and Nonexistence of Belarusian Music
PDF (Język Polski)
Jan Topolski
124-138
Sikorski/Eastman: the Processes of Forgetting and Remembering
PDF (Język Polski)
Antoni Michnik
139-149
"Any Resemblance of My Speech, with Perhaps the Exception of Rhythm, Is Destroyed” – Memory in the Works of Alvin Lucier
PDF (Język Polski)
Karolina Dąbek
150-163
Critical Theory of Topophony
PDF (Język Polski)
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